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neal white home the office of experiments past works / research biog -- home texts, talks, research and publishing march to may 12th 2018 brownsea: an imaginary island (an island of the imaginary ) test sites at arts catalyst centre for art science and technology kings cross, london "the installation becomes a space in which the artist reflects on these shared social and spatial imaginaries – the romantic, sublime, utilitarian, economic and social – as they interact with deep and hidden aspects of the landscape; oil extraction, marine pollution and leisure overload. it acts as an analogue to the island; a space for an exchange of views in which the burden of our imaginations are shared, and our political views and personal desires for the sublime projected. ultimately, it aims to explore the possibility of a future platform on the island, in which these personal and social imaginaries are realised. " we are currently looking for volunteers to participate in a recorded experiment at arts catalyst that is part of a longer project goal. the details can be found on arts catalayst website here . test sites assembly : planetary perspectives join us for a one-day gathering at the university of westminster . together with artists, scientists and thinkers interested in re-imagining social, artistic and scientific research as a bottom-up community-led approach, particularly in relation to planetary health, we will explore the complex, interdependent relationship between the health of the planet and the politics of human health. to book, please follow the links above. new acquisition: the archive in ashes - henry moore institute, for leeds sculpture collection, uk. in october 2017, ' archive in ashes' a work by neal white (2016-17) was acquired by henry moore institute for the leeds sculpture collection. made of several temporal leyers, it consists of the vacuum sealed remains of a burnt encyclopeadia, from a performance of the work 'neal white realises a skoob tower'. this was performed as part of a lesson in sculpture with john latham (see below), curated by lisa le feuvre , and continues an onging interest in the archival, and the preservation of time-based sculpture/artworks. for other projects commissioned and acquired by the henry moore institue - see the third campaign . askeaton contemporary arts, ireland. july 2017 askeaton contemporary arts will host michael fliri, patrick hough, tina o'connell, neal white, kevin barry & olivia smith (winter papers) as part of the annual residency programme . public events will occur during the artists’ stay, culminating with an open day and tour on saturday july 15. more info test sites . uk, 2017 arts catalyst is developing an ambitious nationwide programme across ecological sites, in partnership with land agencies, research institutes and local partners. the programme will take the form of collaborative art and science research, participatory projects, site-specific artworks and public events. during 2017-18, artist neal white will develop a major new fieldwork in poole harbour, dorset, with scientists, a range of researchers, and architects spudgroup . funded with support from university of westminster. all that is data melts into air (part 1 & 2). commission. the project will be featured in an event, objects of uncertain origin at fargfabriken with daniel peltz, in stockholm, october 2017. the work being produced with tina o'connell is concerned with a philosophical and critical examination of data and its temporality. it will feature as part of transpositions. from science to art (and back) . more information and registration for some aspects of the event here . supported by austrian science fund and curated by michael schwab and garhard erckel. superscale psychodata - ars santa monica, barcelona. 18-20th nov, 2016 experimental fieldwork and lecture at ars santa monica barcelona. a facilitated tour of the marenostrum supercomputer centre was followed by experimental mapping fieldwork around the site. (see below). organised by monica bello (cern) and andy gracie. supported by cream. announcement. as of september 2016 - you can contact me at cream, centre for research and education in art and media, university of westminster, london. 9 events - neal white & tina o'connell. dyson gallery at royal college of art. london, februar-march, 2016 curated by antony hudek. 9 event structures including films, experiments with bitumen, found objects - articulated the artists concern with event and time as a factor of art-working - especially when considered in the context of media generated and geological thinking (slow time, deep time, reversal of time etc.). the work was made manifest from the waste of oil and diamond production and was accompanied by a soundscape created from seismic data (office of experiments with neal white, anna troisi and rob smith). one of the events, was the incidental meeting, orchestrated by neal white with barbara steveni, both former directors of o+i. members of o+i, apg along with invited artists and students attended. critically, a succession of events have come into play since, based on the idea of a future 'incidental unit' in which these former groups are reformed. more to follow. a lesson in sculpture with john latham. henry moore institute. 24th march,- 19th june. coordination and realisation of a skoob tower with john latham foundation, for henry moore institute. see images here . image: jerry hardman-jones 2016 geo-aesthetics in an anthropocenic world cultures of the anthropocene. 4.9.2015 in this discussion of artistic research practices, neal white will first discuss his ongoing fascination with large scale sensing networks. examining existing and new sensor networks, white examines what ryan bishop has referred to as a 'long cold war’ in which sensing seismic activity and molecular detection are leading cultural practitioners into a re-imagining a collective experience of global scale scientific and military systems. driven in part by ongoing research into deep time and the concept of contingency, the discussion examines the critical importance of the ‘anthropocene’ in framing new cultural practices. hypersensor , wysing, cambridge. 2015 a new project with office of experiments, including rob smith and anna troisi. for more information see the video on vimeo . neuschloss/ das träuman tuesday 21 april 2015 / 19.00 - 21.00 baltic, gateshead, level 3 free / booking essential a group of artists, writers and curators working with or at northumbria university, will present das träumen within the rhoades’ installation the creation myth ; a work described by ingrid schaffner in the exhibition publication as a “model of the artist’s brain at work”. read more politics and practices of secrecy. institute of north american studies, kings colllege, london. roundtable 2: aesthetics of the secret • john beck: 'photography’s open secret' • neal white: 'secrecy and art in practice' • clare birchall: 'art "after" snowden' registration url http://politicsofsecrecy.eventbrite.co.uk/ the experiment. royal college of art. critical and historical studies. march 6th 2015 guest lecture with maya oppenheimer, ben cook, frances morgan and jenny hodgson. the imaginary archive, whitechapel gallery. 29th january 2015 neal white, whose work from 2004 the third campaign is included in the show, artist paul becker, whose research interests include fictional histories and sue breakell, archivist and research fellow at the university of brighton design archives, who has a particular interest in the theory and practice of archives in visual arts contexts. the panel will be chaired by nayia yiakoumaki. details noit 2 launch 20th june 2014 ongoing research testing the ideas of latham in contemporary context have recently included a number of skoob performances undertaken in and around portikus. noit 2 features a dvd record of these works. order noit 2. lecture 6th may 2014. stadehlschule frankfurt. art as e

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artmonthly.co.uk
subbrit.org.uk
westminster.ac.uk
spudgroup.org.uk
politicsofsecrecy.eventbrite.co.uk
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hansardgallery.org.uk
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